31.10.2024

Towards a Film Community Where Everyone Does the Dishes Together

Writer and researcher Gawan Fagard reflects on the second edition of The Social Life of Film.

25.07.2024

Whose Politics? Alternative Arab Cinemas

Alternative cinemas, so the initial assumption goes, show alternative films. Yet, by what standard might these cinemas and films be considered alternative?

By Irit Neidhardt

03.07.2024

Coconut Head Generation: The Agonists of the Undercommons

The agonists of the undercommons are the voices you hear criticizing the authoritarian tendencies in colonial institutions. What happens when agonists – in this case a group of Nigerian students – come together to resist the individualization of the University.

By Abisola Oni

26.06.2024

Fugitive Futures: Some Notions of a Caribbean Cinema Yet To Be

Any speculation about a future Caribbean cinema must begin with an underlying assumption: that there is such a thing as Caribbean cinema. This is not as self-evident or as straightforward as it seems.

By Jonathan Ali

20.05.2024

The Mother of All (White) Lies?

Asmae El Moudir’s film uses performative documentary and re-enactment to find a highly creative way to unravel collective memory in the face of absence.

By Viola Shafik

10.05.2024

Smashed Burgers, Flat Hierarchies, Big Dreams

At the Strasbourg Cinema Makers conference 2024, we encounter  eye opening ideas from venues who are approaching film exhibition differently.

By Duncan Carson

07.05.2024

Breaking the Waves: On Vera Dreams of the Sea

A surge of female voices has entered the cinematic landscape, bringing fresh perspectives and narratives which delve into various aspects of Kosovar society, culture and identity.

By Bengi Muzbeg

15.04.2024

On Caucasus Chronicles and Azerbaijani Cinema

With this program we wanted to explore the Caucasus through a collection which could unravel the complexities of identity, tradition and resistance.

By Leyli Gafarova

09.04.2024

Le Mouton de Sada: A Cinephile’s Journal

I watched a film.

In it, a child tells his father that he doesn’t want the sheep raised for Tabaski to be slaughtered: it’s his friend. He calls it “Dou.”

By Mamadou Sellou Diallo

28.03.2024

Editor’s Note: What to Expect from Cinema of Commoning 2

We’ve been here before. In June 2022, we gathered at the former SİNEMA TRANSTOPIA space, in the Haus der Statistik in Berlin-Mitte, joined by film professionals and cinema enthusiasts from around the world. Together, we swapped ideas, watched films together, ate side by side and explored the boundless possibilities of cinema…

26.01.2024

Announcement: Cinema of Commoning Returns in 2024!

Initiated by bi’bak and international partners, Cinema of Commoning is a project which brings together a network of alternative cinema initiatives from around the world to share knowledge and ideas.

22.06.2022

One Hundred Children Waiting For a Train: The Education of the Gaze

Every Saturday morning, throughout the final years of Chile’s dictatorship, one hundred children of the Hermida settlement, a poor and oppressed neighbourhood in Santiago, get together in a chapel to watch films.

By Antonia Girardi

21.06.2022

A World Not Ours: a Biography of Palestinian frustration

A World Not Ours (2012) begins with a high angle shot looking down on Ain Al-Hilweh, the largest Palestinian camp in Lebanon 3 km southeast of Sidon, from a nearby peak. It shows the young director accompanied by his father, who explains to him in a tour guide style the geography of the place he had managed to escape many years before. 

By Husam Hilali

21.06.2022

Majub’s Journey: A Little Known Life

Eva Knopf’s 45-minute documentary Majub’s Journey (2013) tells the incredible story of Majub bin Adam Mohamed Hussein, or Mohamed Husen, as he later came to call himself. Majub was born in German East Africa in the early 20th century, and died in Sachsenhausen concentration camp at the age of forty.

By Berke Göl

17.06.2022

Remake, Remix, Rip-Off: On Copy Culture & Turkish Pop Cinema

Cinema in Turkey was at its prime in the 1960s and 70s. In 1972, as many as 350 films were produced. During this period, the country’s film industry, known as “Yeşilçam” was notorious for its remakes, remixes, and rip-offs. 

By Berke Göl

16.06.2022

The Emperor’s Naked Army Marches On: A Brief History of History Writing

After his return from the war, Kenzo Okuzaki chose to oppose Emperor Hirohito, the man he believed was responsible for war and loss. After firing his slingshot at the Emperor, Kenzo served thirteen years in prison for manslaughter. Upon his release however, he remained obsessed with the idea of resisting the Emperor.

By Wiwat Lertwiwatwongsa

15.06.2022

Beyond My Steps: Towards a new identity

In Beyond My Steps (2019), directed by Kamy Lara, five Angolan dancers explore the concepts of tradition, culture, memory and identity. Throughout the film, they incessantly question the transformation and deconstruction of these themes in their own lives. The film follows the creation of the 2017 show (De)Construction, choreographed by Mónica Anapaz from the Contemporary Dance Company of Angola.

by Vanessa Sanches

02.06.2022

Romania, Mon Amour

Alexandru Belc’s observational documentary Cinema, Mon Amour invites us to follow the daily life of Victor Purice, the administrator of Cinema Dacia Panoramic from Piatra-Neamț, one of the few old cinemas still standing in Romania. While the film serves as an indirect portrait of the current state of Romanian cinemas, on a deeper level it is also a subtle reflection of Romania itself.

by Oana Tarce

30.05.2022

The Meetings with The Archive

Since the collective was founded in 2003, archiving and preservation has served as one of the main foundations of Forum Lenteng. By copying and screening materials related to the history of Indonesian cinema, Forum Lenteng has served as a distributor of archive film, helping this work reach other collectives and anyone who is enthusiastic about the history of cinema in this country.

by Hafiz Rancajale